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Handel
Handel Gigue Siebente Suite in g moll - HWV 432
pental
1:52 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 2 5 4 93%
Bass 19 2 2 3 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 2 5 4 93%
Bass 19 2 2 3 76%
 
Handel Andante Siebente Suite in g moll - HWV 432
pental
3:48 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 1 7 6 100%
Bass 21 0 5 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 1 7 6 100%
Bass 21 0 5 4 100%
 
Hallelujah Chorus for Flute Quartet
ecpflute
3:38 Est. Play
Time
91 Measures
1,082Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 12 1 0 8 91%
Treble 15 2 2 8 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 12 1 0 8 91%
Treble 15 2 2 8 95%
Treble 14 2 1 8 99%
Treble 12 2 2 8 98%
 
Messiah| No.44: Hallelujah
Pete Alan
3:32 Est. Play
Time
94 Measures
2,858Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabasses Bass 17 0 2 7 100%
Violoncellos Bass 17 0 2 7 100%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabasses Bass 17 0 2 7 100%
Violoncellos Bass 17 0 2 7 100%
Violas 16 0 2 8 99%
Bassoon Bass 17 0 2 7 98%
Violins
I		 Treble 20 0 1 9 98%
Horn Treble 13 0 1 8 96%
Tenor Treble 13 0 1 8 96%
Violins
II		 Treble 21 0 3 8 96%
Bass Bass 14 0 2 8 95%
C
Tuba		 Bass 14 0 2 8 95%
Trombone Bass 14 0 2 8 95%
Alto Treble 13 1 2 8 91%
BaccidentalFlat
Clarinet		 Treble 13 1 2 8 91%
Flute Treble 12 0 0 8 88%
Oboe Treble 12 0 0 8 88%
Soprano Treble 12 0 0 8 88%
BaccidentalFlat
Trumpet
I
II		 Treble 11 1 1 8 72%
Timpani Bass 2 0 0 7 50%
 
Allegro (Fuga à 4) from Suite No 3 HWV 428
Bartók forever
1:53 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 0 10 9 95%
Bass 24 1 7 10 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 0 10 9 95%
Bass 24 1 7 10 93%
 
Handel Allegro Siebente Suite in g moll - HWV 432
pental
1:56 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 2 8 5 100%
Bass 20 0 5 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 2 8 5 100%
Bass 20 0 5 5 100%
 
Courante (d-Moll HWV 448 G.F. Händel) Akkordeon-Version
sven2011
1:48 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 2 5 4 100%
Bass 17 14 5 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 2 5 4 100%
Bass 17 14 5 5 96%
 
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
HWV63A3N58 - "See, the conquering hero comes"
edward.maurath
3:33 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 11 0 2 6 92%
Flute Treble 13 0 1 6 67%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 11 0 2 6 92%
Flute Treble 13 0 1 6 67%
Treble 13 0 2 8 67%
Alto 11 0 1 6 58%
Organ
as by
Handel		 14 0 1 6 58%
Soprano
II		 12 0 3 6 58%
French Horn
I		 Treble 9 0 1 6 50%
French Horn
II		 Treble 9 0 1 6 50%
Oboe Treble 13 16 2 6 35%
Bass Bass 9 0 1 6 33%
Cello Continuo Bass 9 0 1 6 33%
Cortrebass Continuo Bass 9 0 1 6 33%
Organ Continuo Treble 16 18 3 5 33%
Organo Continuo Bass 10 1 1 6 33%
Tenor 8 0 2 6 33%
Viola 9 0 1 4 33%
Violin
I		 Treble 9 0 1 5 33%
Violin
II		 Treble 10 0 2 8 33%
 
HWV1A2N21 - Zweier Augen Majestät
edward.maurath
2:35 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
Bassoon Bass 17 0 6 5 60%
Bass 21 0 5 2 100%
 
May Love Preside
singthewords
1:39 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 10 3 9 99%
Bass 17 1 1 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 10 3 9 99%
Bass 17 1 1 6 100%
Flute Treble 13 0 2 10 94%
Soprano Treble 14 14 2 8 78%
Alto Treble 13 15 2 8 75%
 
HWV1A3N44 "Hoffe nur der rechten Zeit" (choral fragment)
edward.maurath
0:40 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
Organ Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
Soprano 8 1 1 5 77%
Bassoon Bass 9 0 0 5 75%
Bass 9 0 0 5 75%
Celli Bass 7 0 0 5 75%
Kontrebaß Bass 7 0 0 5 75%
Tenor 8 0 3 5 70%
Bass Bass 9 0 0 5 67%
Viole 3 0 0 5 67%
Violini Treble 12 0 2 5 67%
Oboe Treble 9 0 2 5 55%
 
HWV8A2N12 - "Dorinda, ove hai tu poste le tue speranze?" (1712)
edward.maurath
0:49 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 14 9 2 100%
Bass 9 2 1 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 14 9 2 100%
Bass 9 2 1 3 100%
Alto 10 0 4 3 100%
Violoncello Bass 6 0 1 3 100%
 
Sonata 3 (HWV 361)
Norman Schmidt
6:57 Est. Play
Time
115 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 25 3 7 11 100%
Bass 22 1 6 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 25 3 7 11 100%
Bass 22 1 6 8 100%
 
HWV19A3N22 - Rodelinda, "Mio caro bene!"
edward.maurath
5:29 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
Violoncello Continuo Bass 17 2 1 3 86%
Violins Treble 15 0 2 8 73%
Rodelinda Treble 13 0 3 5 68%
Contrabasses Bass 14 0 0 3 60%
Violincello Continuo Bass 14 0 0 3 60%
Violas 13 0 2 5 55%
Bassoon Continuo Bass 14 0 0 3 15%
Oboe Treble 10 0 0 6 14%
 
Sonata 1 (HWV 359)
Norman Schmidt
7:09 Est. Play
Time
156 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 29 0 12 13 100%
Bass 27 1 9 9 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 29 0 12 13 100%
Bass 27 1 9 9 100%
 
HWV63A0 - Judas Maccabeus (1746) Overture in g minor
edward.maurath
11:07 Est. Play
Time
186 Measures
2,568Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violini 1 Treble 26 0 9 10 97%
Violini 2 Treble 27 0 9 10 94%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violini 1 Treble 26 0 9 10 97%
Violini 2 Treble 27 0 9 10 94%
Viole 18 0 4 8 83%
Contrabassi Continuo Bass 25 0 10 10 81%
Violoncelli Continuo Bass 25 0 10 10 81%
Bassoon Continuo Bass 26 0 10 10 45%
Oboe 1 Treble 22 0 8 9 45%
Organo Treble 16 39 5 9 40%
Bass 20 1 5 9 41%
Cembalo Continuo Treble 17 42 5 6 30%
Bass 20 4 3 6 30%
Oboe 2 Treble 18 0 5 7 26%
 
HWV8A0N13 - La speme, e cura (Erato)
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 7 4 3 100%
Bass 7 1 1 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 7 4 3 100%
Bass 7 1 1 2 100%
Erato 7 0 2 3 100%
Violoncello Bass 7 1 1 2 100%
 
HWV61A2N46 - Regard, O son, my flowing tears
edward.maurath
6:48 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 58 7 7 99%
Bass 33 57 13 8 99%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 58 7 7 99%
Bass 33 57 13 8 99%
Cello Bass 23 0 7 10 98%
NITOCRIS 16 0 6 9 76%
Violin Treble 23 2 9 9 71%
Violoncellos Bass 17 0 5 9 69%
Violone Bass 17 0 5 9 69%